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Currently Available Recordings

Jam Tracks in All Keys, Volume 1
Jam Tracks in All Keys, Volume 1

Jam Tracks in All Keys, Volume 1. A digital album with a huge collection of background tracks provided on an USB flash drive. 588 tracks, 24+ hours of music, 20 songs in all 12 keys.

Each of the songs has a sample of the short, looped version of the song, all in A minor.

1. Of a New Day

A mellow, free-flowing piano piece with a choir background. The rhythm varies slightly, making it great for long tone playing and free improvisation.

2. Southern Lights

A 'groove' piece with guitar and bass and a straightforward chord structure.

3. Minor Day

A piano solo with thick harmonies that supports a strong melodic structure. The middle section moves into major and provides a change of feel.

4. Beagle Dance

A bright, up-tempo piece with electric piano, bass, and percussion. The cheerful feel supports light playing with lots of ornaments.

5. Sunrise

A mellow, cinematic feel with grand piano and string ensemble. An expressive flute lead with long tones and vibrato is a good match for this piece. The ending is signaled by the slowing tempo.

6. Quiet River

A piano solo with a graceful mood and a descending melodic arc. Ideal for a delicate melody and expressive playing.  

7. Winding Way

A backing track infused with dissonance and a haunting rhythmic pattern. This is an ideal piece to explore the full range of cross-fingered notes available on your instrument.

8. Dawn

A piano solo with a fluid rhythm that supports an expressive and bold flute lead. The ending is signaled by a softer touch and a slowing tempo.

9. Dusk

A cinematic theme scored with piano and strings. The main theme is in a major key, so try starting one note up from the bottom note on Native American flutes.

10. Golden Bird

A dramatic, driving rhythm on bass and percussion are supported by strings, choir, and a distant electric guitar. It can be played in a 12-bar blues style and is also ideal for trying new techniques and avant-garde playing. The ending is signaled by a bass solo.

11. Fourth Realm

Fourth Realm is named for the use of chords that use both modes one and four of Native American flutes. It also uses an A-B-A structure that emphasizes those chords. You can play freely and center your melodies on the various notes that sound best in different parts of the song. The ending is signaled by a fade-out.

12. Pan Dance

An up-tempo piece that sits right in the minor pentatonic scale. With the rhythmic tempo, you can play long tones in the minor pentatonic scale or whatever you choose.

13. September Rain

Patterned after the sound of steady rain drops.

14. Stargazer

A pensive, rhythmic piece that uses an electronic ensemble combined with Tibetan bells, bass, and drums. The ending is signaled by the bass and choir solo.

15. Silk Threads

The repeating pattern on this track works with both high and low flutes. It provides a simple chord structure that works well with a straightforward melody played expressively with vibrato.

16. Birch Bounce

A fun jam with a lot of space for instruments or rhythm. It works with simple minor pentatonic notes and players can jam continually or in the spaces. Also, rhythm can play in the spaces. Players can trade riffs or sounds in alternating spaces. Just have fun ...

17. Silent Stream

A graceful support track with electric piano and full ensemble. The long-held chord signals the ending.

18. Code Seven

A simple, pensive chord pattern designed for free improvisation.

19. Spanish Gypsy

A backing track in the style of Sephardic music. This track is designed to be played in the Spanish Gypsy scale on the Native American flute.

20. In the Spaces

A piece designed for call and response or conversations. You could echo the lead and try to match the notes that are played. You could pick up on the last note of the lead and complete the phrase. You could also play a melodic counterpoint – responding to low phrases with high phrases and responding to high phrases with low responses. Another choice is to flip the direction of the phrase – responding to rising phrases with descending responses and vice versa. There are also variants of the song without the lead so that you can just jam and have fun.

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Jam Tracks in E Minor
Jam Tracks in E Minor

Jam Tracks in E Minor. 80 minutes of background music for improvising and jamming in the key of E Minor. 21 tracks in different styles that can be used for practice or performance.

1. First Flight — Peter Dubner

2. South — Clint Goss

3. Golden Dawn — Michael DeMaria

4. World Groove Gnawa — Clint Goss

5. Slow Descent — Peter Dubner

6. Walking on E Street — Jim Oshinsky

7. Pathfinders — Clint Goss

8. Walk on Water — Roth Herrlinger

9. Irish Spring — Lynn Miller, Eric Miller, Alfred Goodrich

10. Serenade — Richard Brooner

11. Truth Speaks — Peter Dubner

12. Simplicity — Clint Goss

13. Emerald Isle — Jacqueline Bhuyan, David Bhuyan

14. Bluest Moon — James Cook

15. Solitude — Jim Parker

16. Earth — Lynn Miller and Clint Goss

17. Hush — Jacqueline Bhuyan, David Bhuyan

18. Hearts Assemble — Peter Dubner, Eugene Carr, David Rudge

19. 47 Blue — Richard Brooner

20. Reverence — James Cook

21. The Huron Carol — Gary Cope

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Jam Tracks in F# Minor
Jam Tracks in F# Minor

Jam Tracks in F# Minor. 80 minutes of background music for improvising and jamming in the key of F# Minor. 24 tracks in different styles that can be used for practice or performance.

1. Skipping Stones — Clint Goss

2. Many Dreams — Richard Brooner

3. Beyond the Hills — James Cook

4. Kingston Waterfall — Peter Dubner

5. Prairie Panorama — James Cook

6. With Heart — Clint Goss

7. Didge Jam — Nick Burman

8. Under the Stars — Jacqueline Bhuyan, David Bhuyan

9. Gong — Clint Goss

10. Sequoia — Michael DeMaria

11. Symphonic — Clint Goss

12. Soar — Clint Goss

13. Ascending — James Cook

14. Mercury Falling Twice — Richard Brooner

15. Three for Jim — Peter Dubner

16. Green Haven — Richard Brooner

17. EastWest — Clint Goss

18. Midnight Rambling — Richard Brooner

19. Morning Prayer — Jacqueline Bhuyan, David Bhuyan

20. Second Street — Jim Oshinsky

21. Hurrian Hymn — Michael Levy

22. Hang Tribute — Holly Foster, Eugene Carr, David Rudge

23. Moonlight Serenade — James Cook

24. Oh Seven Oh Eight — Peter Dubner

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Jam Tracks in G Minor
Jam Tracks in G Minor

Jam Tracks in G Minor. 80 minutes of background music for improvising and jamming in the key of G Minor. 20 tracks in different styles that can be used for practice or performance.

1. Samba of the Phoenix — Eric Miller, Clint Goss

2. Whispering Wood — Peter Dubner

3. Ne Tongo — Marie van Vuuren, Jim Oshinsky

4. Funk Flute — Clint Goss

5. Powwow Sunrise — Clint Goss

6. Vanilla Skies — Jonny Lipford

7. Banjar — Clint Goss

8. The Evening Time — Jacqueline Bhuyan, David Bhuyan

9. Tongue Drum Jam — Ron Kravitz, Clint Goss

10. Tall Gorges — Peter Dubner

11. Kamboucha — Michael DeMaria, Clint Goss

12. Soaring On — Peter Dubner

13. Above the Mist — James Cook

14. Searching in Darkness — Peter Dubner

15. Heart Beat — Clint Goss

16. Finding it All — Peter Dubner

17. A Slow Walk — Clint Goss

18. Rainbow on My Shoulder — Eve Kodiak

19. September — Jacqueline Bhuyan, David Bhuyan

20. Peta — James Cook

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Jam Tracks in A Minor
Jam Tracks in A Minor

Jam Tracks in A Minor. 80 minutes of background music for improvising and jamming in the key of A Minor. 20 tracks in different styles that can be used for practice or performance.

1. Glasgow — Clint Goss, Eugene Carr

2. Backdrop — Clint Goss

3. Do We Yo — Lynn Miller, Alfred Goodrich

4. Bell Dance — Clint Goss

5. Dinda — Clint Goss, Bashiri Johnson

6. Goodnight Omega — Peter Dubner, Clint Goss

7. Bombay Blues — Kuldip Bhatt, Clint Goss

8. Ananda — Clint Goss, David Darling

9. Morning Dew — Peter Dubner

10. Nashville Unplugged — Clint Goss

11. Five Clave — Peter Dubner

12. Gaga Mondoon — Clint Goss

13. Soar — Clint Goss

14. San Juan — Clint Goss

15. Crystal Ocean — Clint Goss

16. I Do Believe — Peter Dubner

17. Night Rider — Clint Goss

18. Om Mani Padme Hum — Laura Warfield

19. Round the Campfire — Clint Goss

20. Oh Seven Oh Eight — Peter Dubner

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Playshop Groove Tracks
Playshop Groove Tracks

Playshop Groove Tracks. Groove and support tracks designed for use by facilitators and leaders of flute circles and music workshops. This CD contains eight tracks that support group warmups and basic music exercises and activities.


 

Future Releases

Jam Tracks

  • Jam Tracks in D Minor
  • Jam Tracks in C Minor
  • Jam Tracks in B Minor
  • Grooves and Rhythms
  • Blues in Twelve Keys

Music Minus Flute

  • Traditional Native American Songs
  • Hymns for Native American Flute
  • Folk Songs for Native American Flute
  • World Melodies for Native American Flute

Playshop-at-Home

  • Improvising in A Minor
  • Improvising in G Minor
  • Improvising in F# Minor

 

Historical ...

An Hour in A Minor

An Hour in A Minor. This is the original CD-R release designed for jamming and performing using a Native American Flute in A minor. Each track has a different feel and genre of music.

 

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